“I’m sorry,” she continued; “awfully sorry, old girl. It’s a bit of rotten bad luck for both of you. You were just made for one another. And Fate, knowing what was coming, bustles round and gets hold of poor, silly Mrs. Phillips so as to be able to say ‘Yah.’” Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained.!

“It’s such a lovely evening,” he said. “Couldn’t we go somewhere and dine under a tree?” “I wouldn’t mind the waiting,” answered Joan, “if it were not for the sorrow and the suffering that I see all round me. I want to get rid of it right away, now. I could be patient for myself, but not for others.”

“Why are you marrying. Flossie?” Joan asked him. She thought his point of view would be interesting. They had the little garden to themselves. The million lights of Paris shone below them. Mary Stopperton did not know the name of the preacher. It was quite common for chance substitutes to officiate there, especially in the evening. Joan had insisted on her acceptance of a shilling, and had made a note of her address, feeling instinctively that the little old woman would “come in useful” from a journalistic point of view.